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7th Annual IAMA (International Acoustic Music Awards) Announced

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David Francey

David Francey, Top Winner of 7th Annual IAMA

Scottish-born Canadian, David Francey won top honors at the 7th Annual IAMA (International Acoustic Music Awards) by winning the overall grand prize as well as the first prize in the Folk category. David also won three Juno awards up to date. Francey also had the honour of receiving the prestigious SOCAN Folk Music Award.

David Francey was born in 1954 in Ayrshire, Scotland, where as a paper boy he got his first taste of the working life. He learned to read at an early age, and by age eleven was devouring the newspapers he delivered. This helped establish his interest in politics and world events while developing the social conscience that forms the backdrop of his songs.

He was twelve when his family immigrated to Toronto. He says he can trace his love of the land, the history, and the people of his adopted country to weekend family drives exploring southern Ontario. Music played a large part in these family outings. They sang traditional Scottish tunes as they drove through the Canadian countryside. Dad and sister Muriel sang melody, while mother and David sang harmonies. His website can be viewed at:

http://www.davidfrancey.com

Other notable winners inclue: Justin Rutledge (Canada), Joachim Nordensson & Brooke Wandler (USA), Roland Albertson (South Africa), Luke Doucet & The White Falcon (Canada) and virtuoso guitarist Tim Farrell (USA)

Here is the list of winners of 7th Annual IAMA:

OVERALL GRAND PRIZE WINNER:
The Waking Hour – David Francey

FOLK
1st Prize: The Waking Hour – David Francey
Runner-up: Be A Man – Justin Rutledge

BEST GROUP/DUO
1st Prize: I Was With You – Joachim Nordensson & Brooke Wandler
Runner-up: Come Home To Me – Alathea

BEST MALE ARTIST
1st Prize: Broken – Roland Albertson
Runner-up: Last Love – Shane Cooley

BEST FEMALE ARTIST
1st Prize: Firecracker – Kelly Zullo
Runner-up: Faking Your Best – Suzy Connolly

COUNTRY/BLUEGRASS
1st Prize: We Don’t Smell the Home Fires Anymore – Horseshoe Road
Runner-up: What Life’s Like (Without You) – Stewart Burrows

AAA/ALTERNATIVE
1st Prize: Thinking People – Luke Doucet & The White Falcon
Runner-up: The Beast Within – Reed Waddle

OPEN/AOG
1st Prize: The Most Beautiful Fear – Laura Hoover
Runner-up: Joe’s Bayou – Boomslang Swampsinger

INSTRUMENTAL
1st Prize: Rosewood Alley – Tim Farrell
Runner-up: Once Upon A Western Sky – John Standefer

Artists are judged based on music performance, music production, artistry and songwriting. For more information, visit:
http://www.inacoustic.com

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Vocal Tips for Studio Recording, by Jeannie Deva

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Jeannie Deva in studio with Mandy Moore

Jeannie Deva in studio with Mandy Moore

The voice is the signature of a band. Over time songs will change, the musical style may even vary, but fans can always recognize their favorite bands by the lead singer’s sound. How to achieve a recorded vocal track that has much personality, punch and power as in a live performance is often the illusive “pot of gold at the end of the rainbow” sought after by many a producer. While there is much that goes into this, here are two pointers taken from my twenty-two years experience as a recording session vocal coach and thirty-three years teaching singers of all styles.
The Art of Recording
Headset mix and mic choice make an incredible difference in how you perform and the ease with which you are able to sing (or not). Take the time to work with your engineer and get it adjusted at the beginning of the vocal session. Work on it until you have absolutely no attention on the mix and can perform undistracted. It is about how you, not the engineer, like the sound and volume in your headset. On occasion, the brand of headset can cause an alteration of the natural EQ (EQ: Equalization = deals with the balance or alteration of low, mid-range and high frequencies) of your voice making it sound thinner, bassier, or muffled. Try singing with several different brands of headsets. When you find one you like for its fit, weight and sound, you might buy one of your own and bring it to your sessions. Each mic treats sound differently. True for both studio and stage, the mic you use must be matched to your vocal characteristics. If not you can find yourself unconsciously manipulating throat muscles as you fight the tonal alterations made by the mic. Sometimes the problem is not the fault of the headset or mic but the result of incorrect or non-existent vocal warm-up and poor vocal technique leading to strain, pitchyness and lack of vocal ease. In this case, rushing into the studio before being ready reaps frustration, disappointment and wasted money.
Song Delivery and Performance Skills
Through your recorded track, you must attract your listener’s attention. Your voice and emotion must reach out through the recording and create an emotional effect. To achieve this, when you sing in the studio you must bring to your song the same energy and believability that your audience would expect of you in a live performance. This is also why I recommend that artists perform their material to live audiences prior to going into the studio. To help your song have presence and energy even though recorded in the more “sterile” environment of a studio, you must create the illusion of singing to someone. Don’t create mental image pictures of someone and sing to the person in your mind. That will diminish your energy and the vitality of the song as it removes you from the present. Sing the song as though the person is in front of you now. It is up to you, the singer, to integrate all the components of singing, performing and recording to reach through the track and connect and engage your listening audience.
Jeannie Deva is a celebrity master voice and performance coach as well as a recording studio vocal specialist. She has worked with and is endorsed by engineers and producers of Aerosmith, Elton John, Bette Midler, Fleetwood Mac and the Rolling Stones. Seen on E! Entertainment and TV Guide Channels, Jeannie has been interviewed as a celebrity guest on talk shows internationally. She is the author of the globally acclaimed “Contemporary Vocalist” series and “Deva Method Vocal Warm-Ups and Cool-Downs” CD. Creator of the internationally acclaimed Deva Method®, Complete Vocal Technique for Stage and Studio™, certified Deva Method teachers are located on east and west coasts of the U.S. and in Sydney, Australia. Clients include Grammy award winners, Multi-Platinum Recording Artists, American Idol Finalists, Rock Band Icons J. Geils Band and Foghat, singers for Elton John, Stevie Wonder, Celine Dion, Sting, Pink, Joss Stone, Christina Aguilera and more. Deva’s private voice studios are located in Brentwood, CA and “The Valley”in Los Angeles. She also consults and teaches singers around the world via Internet web cam.
© 2010. Jeannie Deva and The Deva Method are registered trademarks and owned by Jeannie Deva Enterprises, Inc.
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Podcast #1 of International Acoustic Music Awards

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Tune in to our premier podcast episode for the International Acoustic Music Awards.

Music featured in this episode by:
Larry Pattis – Eleven Doors

The Refugees -  Unbound

Fertitta and McClintock -  Do You Run

Charlie Dore – Looking For My Own Lone Ranger

Jesse Terry -  Against The Tide

Jason Harwell – The Declaration Song

Jen Foster – Taking Bob Dylan

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Top 10 Best Venues and Clubs For Acoustic Music In USA

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Top 10 Best Venues and Clubs For Acoustic Music In USA by Jessica Brandon

10. The Grey Eagle (Asheville, NC)
A good listening room-style club in United States. They attract a lot of touring national and regional artists in all styles of Acoustic music: Bluegrass, Zydeco, Folk, etc. It is a centerpiece in Asheville’s  folk music community.

9.  Tin Angel (Philadelphia, PA)
This is an intimate acoustic venue. Right from the opening night, Tin Angel has presented an wonderful array of stars from the world of blues, rock, folk and country. This has long been a perennial favorite among Folk acts in the country.

8.  White Eagle (Portland, OR)
It is good to see a venue supporting local musicians where many established venues do not. The interesting tibit is that the club is also a small inn run by the McMenamins Brewing Company.

7.  The Bitter End (New York, NY)
They host songwriters night along with national touring acts. The venue has lived through generations of folk singer-songwriters.

6. Cactus Cafe (Austin, TX)
This has been a main stay for the venerable SXSW Music Conference, which takes over Austin, TX every March. It’s schedule indicate the who’s who in the singer-songwriter world.

5. Douglas Corner Cafe (Nashville, TN)
This venue was created for showcasing new singers and songwriters in Nashville. It soon grew to become a well known “Home Away From Home” for Nashville’s top songwriters and future music stars.  It host open night for songwriters. It has been a showcase venue for such big stars as Alan Jackson, Trisha Yearwood, The Kentucky Headhunters, Billy Dean, John Berry, Blake Shelton and many others.

4. The Living Room (New York, NY)
This venue is great for acoustic musicians in an intimate stetting. This space generally imposes a one-drink minimum per set and the standard passed bucket of  tips. Touring acts will tell you that this venue is a best kept secret for great selection of live music and reasonably priced drinks.

3.  Club Passim (Cambridge, MA)
This is a non-profit, smoke-free, all-ages venue has become the centerpiece for one of America’s most lively and talented communities of traditional and contemporary acoustic acts. They host regular open mic night, and always attracts great touring acts. They also host campfire series for Memorial Day weekend and Labor Day weekend.  Club Passim has served as a launching pad for several legendary folk musicians such as Joan Baez, Bob Dylan, and Joni Mitchell.

2. Eddie’s Attic (Decatur, GA)
Eddie’s Attic is located just on the outskirts of town of Atlanta. They host open mic nights as well as national touring acts.  Shawn Mullins got his start here before hitting the big time. Touring acoustic acts will tell you that this is a “must  play” for their  gigs.

1. Bluebird Café ( Nashville, TN)
The legendary Bluebird Café  takes the top spot of the best venue for a reason. There’s nothing particularly aesthetically special about the place which is located in an ordinary strip mall in Nashville. However, A&R representatives from record labels can tell you that it is one of the best places to check out talent. Songwriters from all over can tell you that they want to perform in the cool venue so bad. The famous ‘Songwriters-In-The Round” was invented here by Amy Kurland, founder of the Bluebird Café. They host regular writers night where you can hear the orginal songwriters performing on their hit songs, what a better place to listen to your favorite songs right from the source!

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Free Compilation CD Giveaway Ends This Month

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Early entrants for the 6th Annual IAMA (International Acoustic Music Awards) will each receive a free IAMA Compilation CD. However, only the first 1,000 entrants entered by September 30 or earlier will each receive a IAMA Compilation CD, which features the current winners such as The Refugees, Larry Pattis, Wayne Southards, Katy Kinard, Wendy Colonna, Jeanette Williams Band, Kate Lush, Victoria Vox, and more. Please obtain the entry form at:

http://www.inacoustic.com/entryform.html

Or enter online via Broadjam:

http://www.broadjam.com/contests/details/contest/index.php?contest_id=1493

Or enter online via Sonicbids:

http://www.sonicbids.com/iama2009

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